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Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959.The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr.The question of the affinities I may think I have or not have with nineteenth-century Russian writers is a classificational, not a confessional matter.There is hardly a single Russian major writer of the past whom pigeonholers have not mentioned in connection with me.Would you say something about the controversy surrounding the Chernyshevskl biography in The Gift?You have commented on this briefly before, but since its suppression in the thirties expresses such a transcendent irony and seems to justify the need for just such a parody, I think your readers would be most interested, especially since so little is known about the emigre communities, their magazines, and the role of intellectuals in these communities, lf you would like to describe something of the writer's relationship to this world, please do.She was glad to give hot guy a fuck, because the male cool peppers Busty lady in pink slit.Then changes position and puts the baby down on his protruding Kukan, on which Dolly crouches and slides a wet hole.

Moreover, the dividing line between prose and poetry in some of the greatest English or American novels is not easy to draw.Would you say something about your temperamental or artistic affinities with the great writers of the 1830-40 era of masterpieces?Do you see your own work falling under such general rubrics as a tradition of Russian humor?I suppose you should have used the term "rhymed poetry" in your question, and then one might answer that Russian rhymes are incomparably more attractive and more abundant than English ones.No wonder a Russian prose writer frequents those beauties, especially in his youth.Do you find this kind of distinction at all important regarding your identity as a writer?I have always maintained, even as a schoolboy in Russia, that the nationality of a worthwhile writer is of secondary importance.Does this signal fact have anything to do with the special nature of Russian literary culture, or are there technical or linguistic resources which make this kind of versatility more possible in Russian?And as a writer of both prose and poetry, what distinctions do you make between them?For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American."Now that you're living in Switzerland there seems to be complete agreement that you're American.


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